Although cryptic in language and structure, Dickinson gives her work an instinctually vivid sense of emotion. Her examination of the feeling of pain focuses in on only a few of the subtler nuances of pain that are integral parts of the experience.
In Poem Johnson Editionfor example, Dickinson writes of the self's infinitely narrowed horizons: JP Any distinction we might want to draw between emotional and physical pain is rendered impossibly superfluous by that reifying pronoun, It.
Pain is a thing having a life of its own: Pain posits us in an infinity of present tense that has no future but itself, containing a past it cannot remember, and containing us in a body of pain.
Of physical pain of both torture and illness Elaine Scarry has said that "Physical suffering destroys language" As Harold Schweizer asks in a recent study of suffering and art, But if suffering is in the unbearable, silent body rather than in the sharable, disembodied language of its narratives, how then can suffering speak?
How can one hear the unspeakable?
How can one listen without assuming one has understood? Indeed, how can one begin to understand? Adrienne Rich, suffering from an excruciatingly painful and often disfiguring chronic illness, rheumatoid arthritis, agrees: Diagnosed four years ago with the same illness that Rich has, I had the uncanny experience of having studied her work closely for some years for a book chapter and subsequent critical essays, without ever having concentrated on her representations of illness and pain.
In fact, I did not even notice them. Rich's project in the s and more recently has been persistently to learn "from the edges that blur" between "the body's pain and the pain on the streets," as she writes in the serial poem "Contradictions: I wrote much of my critical work on Rich before becoming ill, and it was, as I say, uncanny to realize how in that work, I routinely elided all references to a specific, localized "body's pain," tracking instead the tormented, historically situated syntax of the body politic.
I was remarkably blind to any chronically ill body's specificity. Critically, epistemologically, experientially, Rich's references to personal physical pain didn't exist for me. But this blindspot is, as it turns out, the norm not the exception.
Bodies not in pain, who cannot physically feel the suffering, often stop at that imaginative chasm between them and the body in pain, unable to make the projective leap of empathy.
For those bodies only "hearing about pain," suffering remains alien, opaque, closed to epistemological inquiry--to wit, clinically, scientifically unconfirmed. And so, reader, I began, although admittedly not with an empathetic, revelatory epiphany, but from my own experience of chronic illness.
For over two years, I reached "wit's end" in concrete if imperceptible ways to all but my closest friends and family. I lost the ability to write poetry and to read with any focus, because of neurological symptoms not commonly associated with rheumatoid arthritis.The Themes of Emily Dickinson's Poetry Words | 16 Pages.
The Themes of Emily Dickinson's Poetry Emily Dickinson was a great American poet who has had a lasting effect on poetry, yet she was a very complicated poet in the 's to understand, because of her thought patterns.
Element Of Blank Essay Examples. 6 total results. 3 pages. The Wide Variety of Emotions in the Poetry of Emily Dickinson. 1, words. 3 pages. An Analysis of the Emily Dickinson's Pain has an Element of Blank. 1, words. 3 pages. Exploring the Emotions in Dickinson's Work "Element of Blank" 1, words.
3 pages. Although cryptic in language and structure, Dickinson gives her work an instinctually vivid sense of emotion. Her examination of the feeling of pain focuses in on only a few of the subtler nuances of pain that are integral parts of the experience.
integral parts of the experience. She draws in on an "Element of Blank" that she introduces in her opening line. In exploring pain, she proposes that this "blankness" is a self-propagating force that is subject to the dynamic forces of time, history and perception, but only to an extent.
Her first mention of "Pain" in the first line does not distinguish this particular emotion as being of a particular brand of pain. Dickinson's main idea was that the presence of, "pain can be so intense that, when sequestered from the life from which it springs, it cannot possibly generate wisdom." Due to her sickness, Dickinson essentially lived in a black hole full of pain and used her poetry as an outlet.
Emotions. Emotions are a fundamental element in the lives of every living being. In this category, you’ll discover articles that explain where emotions come from and how to manage them.